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reinventing of the wheel

by One Finite Monkey

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1.
I've got a hamburger and a tasty drink. I've got a dumb job that pays me not to think. I've got a high IQ, I've got a good degree. I've never been to prison, still I want to be free. We are the future, we are the young, we should be heroes. We're number one, we're having fun, we're never zeroes, and we've got nothing to do today nothing to do today. Everybody tells me that I could go far and make tomorrow brighter than the stars. Life is a gamble, we're all placing bets. If I lower my standards, I've got no regrets. We are the future, we are the young, we should be heroes. We're number one, we're having fun, we're never zeroes, and we've got nothing to do today nothing to do today. We've got an ambition to find whatever will please us. We may stop the spread of certain diseases. We are the future, we are the young, we should be heroes. We're number one, we're having fun, we're never zeroes, and we've got nothing to do today nothing to do today.
2.
Monkey Time 04:44
When the monkey time comes, we'll all just swing from the trees. Tall teen anarchists, come circle up your wagons, certain silver scientists will bring on Armeggedon, while local tinder texts diss nude vacancy rates and occupy your home town is the new cheap date. Well, I remember in 1984, when everyone expected a third world war and the best job you could get paid only minimum wage. Somehow, we survived to see this new clear age. When the monkey time comes, we'll all just swing from the trees. Top hat plutocrats all grok the status quo, always saying "everyone!" to "Who do you know?" Well, I remember this guy on a horse, spying Lady Liberty, he just said, "Of course!" When the monkey time comes, we'll all just swing from the trees.
3.
Controversy doesn't irk me. Says me, says you. Youth in Asia. Vinyl plastic, cheap elastic. But who pays the youth in Asia? They may try it, but not buy it. They may try, but not buy it. They may try it, but not buy it. Dragon slayers. Youth in Asia. It's not pretty. Here's what gets me: how to save the youth in Asia. They may try it, but not buy it. They may try, but not buy it. They may try it, but not buy it. Dragon slayers. Youth in Asia.
4.
Hit And Miss 02:56
Well, I had a blue guitar like Townes Van Zandt only wished and it played things as they are, which got Picasso pissed. Think of it as machine gun fire think of it perhaps as bells or as Wallace Stevens once observed a tune beyond us, yet of ourselves. And it played a host to dreams, a shielding and a sigh, and less complicated schemes, but it never never told a lie And when I least expect it it recalled with some directness some moments between you and me. Well, I had a blue guitar like Townes Van Zandt only wished and it played things as they are but it played them hit and miss.
5.
The grocery magazine lives for broken dreams. Maybe the love was faked. They're going separate ways. Will they try again, or is this the end? One goes, one stays. They're going separate ways. Separate ways, they're going separate ways. What more can you say? They went their separate ways. Dividing up the space both try to save face. There's nothing more to say. They're going separate ways. Will they meet again, pretending to be friends for the children's sake, going separate ways? Separate ways, they're going separate ways. All the vows to break. They're going separate ways. Separate ways, all go in separate ways. How can it be okay?
6.
Cold cold wind cold cold wind, feeling exposed just like a sin cold cold wind. Cold cold wind cold cold wind blowing right by like an old friend cold cold wind. When I chose this path I'm on, I had no sense of choosing. So, when I lost my way, there was no sense of losing and all that I know now is I don't know what I'm doing. Cold cold wind cold cold wind and I don't know how to start again cold cold wind.
7.
Bloody river, pouring rain, early morning, red wine stain. Counting blessings every time, overlooked for another crime. There's no way out, no one to kill, but if you know the way, you may find there's a will. Chug that swill. Chug that swill. Ocean rising, blue suede shoes, Cain and Abel paid their dues. Muddy Waters, mostly dead, can't remember what God said. Could have been half as authentic as a three dollar bill, but if you know the way you may find there's a will. Chug that swill. Chug that swill. Climbing mountains just to see holy mountains far away holy mountains, purple friends, vantage point to see the end. The time spent waiting is waiting still but if you know the way, you may find there's a will. Chug that swill. Chug that swill.
8.
Sometimes it really blows my mind the many ways we waste our time NFL and Elvis shrines on the news get equal time and in this zoo of modern man we've natural habitation plans with remote controls and Campbells cans and a dog-eared issue of Wired. You rub your wand until you get your wish. What's wrong with this? What's wrong with this? A politician does Pinocchio with a wooden head and expanding nose in a pseudo-Caesar pose in a luxury land turned hovel. They'll tell you work's it's own reward; I burn my bread by staying bored like a serf before his lord with nothing to do but grovel and hope to give that gold ring a kiss. What's wrong with this? What's wrong with this? And I'm wild in a civilized land, like a child with a kind of cynical plan. Here I go, trying to understand and be a fan, a fan of the common man. I get that every life is hard. You charge it to a credit card to reap a feeble cash reward and talk of compromise or you tell me that it's wasting time, the punishment begets the crime and I'll respond just like a mine to leave you none the wiser. It's nice if you get the gist. What's wrong with this? What's wrong with this? And I'm wild in a civilized land, like a child with a kind of cynical plan. Here I go, trying to understand and be a fan, a fan of the common man. Somehow we all learn to be free like great apes and sea monkeys who procreate and try to please; their home resembles a bubble. The success measuring meter stick is not unlike the parlor tricks of dogs and cats in circus shtick scratching at day-old stubble. You lift your leg to mark your lot with piss. What's wrong with this? What's wrong with this? And I'm wild in a civilized land, like a child with a kind of cynical plan. Here I go, trying to understand and be a fan, a fan of the common man.
9.
Everybody pays their dues making feats for children's shoes making purple out of blues making profits out of pews yes and, everybody shares the blame for every little carpet stain, vanity and toxic rain, pearls of wisdom down the drain. A part the ear, a part the eyes, part defeat and partial prize every time to realize it's all just blessings in disguise. Everybody has a chance to wallflower out and have this dance, turn a corner happenstance, find your car keys and find romance yes and everybody knows the deal reinventing of the wheel blindly navigate by feel borrow some the rest you steal. A part you bake, a part you fry, blandishment or criticize. Stand your ground or compromise it's all just blessings in disguise. Everybody gives advice raze the value, raise the price. Loyalty and sacrifice sells another cool device. Yes, and everybody knows the good halfway to misunderstood superstitious knock on wood two parts can't and one part should. A part you paint, a party dye a part you walk a part you fly accept it or hypothesize it's all just blessings in disguise. Everybody minds their own. Hold the tongue or hold the phone put in sense and pay a loan strangers reaping what we've sown. Yes and everybody makes the call ring the belle condemn the ball seize the righting on the wall smell decay that's just the fall. Cross the teas and dot the ayes comes in peaces, comes with fries Lord of all or lord of flies it's all just blessings in disguise.
10.
Much of life is only killing time hoping for something sublime. We do all tasks behind predetermined masks I wish I could be your mime. Much of life is only stale and bland and then there's playing in a band we do all right, hit the mark and face the light I know all the verses and this is the chorus should I write it this is the chorus should I find the words Much of life is only doing time I think I'll be a concubine I'll paint my face invest in a bit of lace and then I'll take your hand with mine this is the chorus should I write it this is the chorus should I find the words There is no bridge left for me to burn. Much of life consists of changing plans I have been an also ran I may be smart but take each task with half a heart I may have to start again. this is the chorus should I write it this is the chorus should I find the words
11.
You and me, we were cold war babies and they told us it would end this way: a rocket launched in some distant nation, an end in fire on a final day. You and me, before we understood it, saw our parents fight a losing war, saw them marching with the signs revealing they didn't know what they were fighting for. You and me, we tried to stand together in a world that could seem so cruel, to live in hope, no matter what they told us. Maybe Russians loved their children too. My grandfather made planes and rockets to beat Russians to the moon. You and me, we saw a shuttle exploding. Saw the planes that hit the towers too. My grandfather, they named me for him. He was born into the Spanish flu, lost his family to the great depression, fought the Axis in the World War II. You and me, we were cold war babies so we always thought it would end this way, but we stood our ground with a faith unshattered, singing songs at the final days. You and me, we were cold war babies. They told us not to live too long. If the world doesn't end in fire, I hope somehow it ends in song.

about

In a recording session years ago, the engineer asked me if I was recording demos or "real" song. I said, "What's the difference?"

Songs continue to be revisited in performance and in the studio. They grow and evolve. Every recording session has opportunities and compromises. Until you have a big hit, there's no reason to do a song the same way every time.

There's a town between the Kalahari Desert and the Okavango Delta which is a swamp some years and a desert others. I was living there in a house made of porous brick when I recorded the first OFM CD. I had a $100 guitar and a laptop.

2020 seemed like a great year to revisit the first album along with songs that should have been on that first album. I played everything on here. My go-to acoustic dreadnaught Alice is on every song. Basses Moses and Miles take turns. I'm playing djembe and cajon. Kayamba and hosho. Mbira and marimba. The album opens with a segaba riff. Don't know sebaga? Its an instrument uniquely indigenous to Botswana. I play sa duang and sueng. I play khomus and musical frog. I play keyboards! I haven't broke out the old electric organ in a long time and it was fun to put some synth bits into the background.

I feel like I finally did these songs right. Hope you enjoy it.

credits

released January 15, 2021

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One Finite Monkey Bellingham, Washington

One Finite Monkey: a veteran of a dozen bands you’ve never heard of, a player of a dozen instruments, a producer of something like 50 obscure albums, now holed up in the attic of an old house in Bellingham, Washington, writing and recording songs.

For fans of Jerry Garcia, Neil Young, Violent Femmes, Tom Waits, Richard Thompson, and Mark Knopfler.
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